Roan in the River — Quarter Horse Fine Art Print
From $450 Click photo for printing options and to purchase
There is a quality of light that exists only near water in a forest — a cool, deep, diffused luminosity that wraps everything it touches in a particular kind of beauty that painters have been chasing for centuries — and Roan in the River places one of the most visually distinctive horses in the equine collection directly inside that light. A red roan Quarter Horse stands chest-deep in a still forest river, facing the camera with the calm, direct self-possession that is the Quarter Horse's defining temperamental characteristic, water dripping from his muzzle in the unhurried way of a horse that has been here long enough to be completely at ease and has no particular reason to be anywhere else. The roan coat is extraordinary in this light — the intermingling of chestnut and white hairs creating a shifting, almost iridescent surface that catches the dappled forest light differently at every point, the wet coat deepening the color and adding a richness and a depth that dry hair never quite achieves. The river surface in the foreground catches the light with a cool, liquid clarity, the water around the horse's legs perfectly still except for the single drop falling from his muzzle — a detail of extraordinary intimacy that anchors the image in a specific, unhurried moment. A natural companion to Soul of the Buckskin — Quarter Horse and The Welcoming Committee — Ranch Horses Fine Art Portrait, Roan in the River stands as the most atmospherically painterly and light-rich portrait in the Quarter Horse series — a horse in its element, in extraordinary light, rendered with the full attention it deserves. Available as a limited edition of 50 worldwide on ChromaLuxe Metal, Lumachrome HD TruLife Acrylic, or DuraPlaq® FloatPlaqs. Photo © copyright by Tamara Gooch.
ULTRA LUMACHROME® HD TRULIFE® ACRYLIC PRINT

TOP OF THE LINE, MUSEUM QUALITY, EXCLUSIVE, FINE ART PRINTS
The Lumachrome® HD Acrylic Print using TruLife® acrylic is the finest image display medium available today. The archival process features vivid, brilliant colors that last well over 120 years with incredible 3D depth. When lit with quality lighting, the reactive properties of this material make it literally come alive. Coupled with the revolutionary TruLife® abrasion resistant acrylic which VIRTUALLY ELIMINATES reflections and glare and blocks up to 99% of UV rays, offering the highest resolution viewing experience possible. Your print will have a 1/8 inch thick acrylic surface with an aluminum backing and an HD 1.375" ROMA back mounted recessed floating frame allowing your artwork to appear to “float” on the wall for an awe-inspiring, contemporary presentation. Your print arrives ready to hang.
CHROMALUX MUSEUM QUALITY METAL PRINTS

CONTEMPOARY FINE ART METAL PRINTS
These prints represent a new art medium for preserving photos by infusing dyes directly into specially coated aluminum sheets. The finished images will take on a magical luminescence. Colors are vibrant and the luminescence is breathtaking. Detail and resolution are unsurpassed make any space come to life.
The Aluminum prints are gallery mounted on 2mm black Styrene and finished with a black edge and a black metal inset frame that floats the print ¾” off the wall when hung.
Gallery Quality FloatPlaq

Gallery Quality Float Plaq
FloatPlaqs give your art dimension to appear as if it is floating off the wall. FloatPlaqs are quickly becoming a favorite for fine art galleries world-wide. Each photograph is mounted on an acid-free 3/8" thick eco-friendly wood surface finished with a beveled edge, and given a 3/4" deep backing to create a floating effect.
MUSEUM QUALITY PAPER PRINTS

Museum Quality Paper Prints
With all fine art paper prints either FujiFlex Chrystal Archive, Hahnemuhle Photo Rag 308 or Hahnemuhle Bamboo papers will be used. Each paper is chosen to best enhance and showcase each individual limited edition print for impressive print quality ensuring your artwork has outstanding expression and soul.



