There are a handful of images in the American West so deeply embedded in the visual culture of the region that they have become landmarks in their own right — not just places to visit but images to seek out, to stand before, to make your own version of and add to the long conversation that photographers and painters have been having with this landscape for over a century. The Moulton Barn on Mormon Row is one of those images, and The Moulton Barn captures it at its most luminously beautiful: the warm golden light of a summer morning wrapping the weathered log walls in amber and rust, the broad green meadow stretching before it in the particular vivid green that belongs to Jackson Hole in the early season when the grass is at its freshest and the snow is still deep on the peaks behind. And what peaks — the Grand Teton Range rising directly behind the barn with a vertical drama that never becomes familiar no matter how many times it is seen, the jagged snow-capped summits against the deep blue morning sky forming a backdrop that no set designer could have imagined and no painter could have improved upon. The barn itself is the image's warm heart — the weathered boards glowing with the particular amber tones of old wood in morning light, the simple geometry of its gabled roof and its two small windows giving it a human scale and a quiet dignity that holds its own against the geological grandeur behind it. This is one of the great pairings in American landscape photography — the human and the geological, the made and the found, the finite and the eternal — and The Moulton Barn renders it with exceptional light and compositional clarity. A natural companion to Wildflowers and Giants — Grand Teton Fine Art Print, Autumn Mirror — Grand Teton, and The Courtship — Grand Teton Moose, The Moulton Barn stands as the most historically grounded and humanly resonant image in the Grand Teton collection — the one that reminds us that people have always lived and worked in the shadow of these extraordinary peaks, and found it sufficient. Available as a limited edition of 50 worldwide on ChromaLuxe Metal, Lumachrome HD TruLife Acrylic, or DuraPlaq® FloatPlaqs. Photo © copyright by Tamara Gooch.

View Fullscreen