Liquid Fire — Pacific Sea Nettle Fine Art Print
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In the deep blue world beneath the surface, the Pacific sea nettle carries its own light. Liquid Fire is a portrait of one of the ocean's most beautiful and most ancient creatures — the Pacific sea nettle, a jellyfish that has been drifting through the world's oceans in essentially this form for more than five hundred million years — rendered with a clarity and luminosity that transforms natural history into fine art of the highest order. The amber and gold of the bell glows against the deep cobalt blue of the water with the intensity of something genuinely combustible, the warm tones of the jellyfish's body and the tracery of its dark internal structures throwing the cool blue of the surrounding water into extraordinary relief. Below the bell, the trailing tentacles cascade downward in great white lace-like fronds of extraordinary delicacy and complexity — each one a structure of biological precision that the eye reads as pure decoration, the function and the beauty entirely inseparable. The composition is vertical and commanding, the jellyfish filling the frame from top to bottom with a presence that belies the creature's boneless, weightless nature — this is an animal that moves through the ocean without effort and without urgency, and yet in this image it commands the space around it with the authority of something that has had five hundred million years to perfect exactly this way of being. On ChromaLuxe Metal or Lumachrome HD TruLife Acrylic, the extraordinary luminous amber and the deep cobalt blue of Liquid Fire render with a depth and brilliance that makes it one of the most visually striking and biologically fascinating pieces in the entire collection — a natural conversation piece for any interior that welcomes art with genuine depth and wonder.
Limited edition of 50. Photo © copyright by Tamara Gooch.
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ULTRA LUMACHROME® HD TRULIFE® ACRYLIC PRINT
TOP OF THE LINE, MUSEUM QUALITY, EXCLUSIVE, FINE ART PRINTS
The Lumachrome® HD Acrylic Print using TruLife® acrylic is the finest image display medium available today. The archival process features vivid, brilliant colors that last well over 120 years with incredible 3D depth. When lit with quality lighting, the reactive properties of this material make it literally come alive. Coupled with the revolutionary TruLife® abrasion resistant acrylic which VIRTUALLY ELIMINATES reflections and glare and blocks up to 99% of UV rays, offering the highest resolution viewing experience possible. Your print will have a 1/8 inch thick acrylic surface with an aluminum backing and an HD 1.375" ROMA back mounted recessed floating frame allowing your artwork to appear to “float” on the wall for an awe-inspiring, contemporary presentation. Your print arrives ready to hang.
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CHROMALUX MUSEUM QUALITY METAL PRINTS
CONTEMPOARY FINE ART METAL PRINTS
These prints represent a new art medium for preserving photos by infusing dyes directly into specially coated aluminum sheets. The finished images will take on a magical luminescence. Colors are vibrant and the luminescence is breathtaking. Detail and resolution are unsurpassed make any space come to life.
The Aluminum prints are gallery mounted on 2mm black Styrene and finished with a black edge and a black metal inset frame that floats the print ¾” off the wall when hung.
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Gallery Quality FloatPlaq
Gallery Quality Float Plaq
FloatPlaqs give your art dimension to appear as if it is floating off the wall. FloatPlaqs are quickly becoming a favorite for fine art galleries world-wide. Each photograph is mounted on an acid-free 3/8" thick eco-friendly wood surface finished with a beveled edge, and given a 3/4" deep backing to create a floating effect.
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MUSEUM QUALITY PAPER PRINTS
Museum Quality Paper Prints
With all fine art paper prints either FujiFlex Chrystal Archive, Hahnemuhle Photo Rag 308 or Hahnemuhle Bamboo papers will be used. Each paper is chosen to best enhance and showcase each individual limited edition print for impressive print quality ensuring your artwork has outstanding expression and soul.
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